![]() Jackson and his writing team (Fran Walsh, Philippa Boyens and Guillermo del Toro) have augmented Tolkien's Hobbit text, much of it consists of sequences where Bilbo and the dwarf friends get captured, escape and get confined again, between battles with blood-thirsty Orcs. Nothing much has improved here on that front. The trouble is, as he shovels on the visual awesomeness, the characters can feel like cutout figures bobbing about against a gorgeous diorama. ![]() From the swooping and looping cameras over splendid New Zealand terrain, to the legions of clammy, gnarly and ethereal creatures. Whether you find director Peter Jackson's work majestic and whimsical, or just bombastic and twee, his Tolkien films have created an indelible set of cinematic images over the past dozen years. Their mission was to reclaim Oakenshieild's hereditary throne inside the Lonely Mountain, which was occupied by a massive fire-breathing dragon, Smaug, resting atop a heap of treasure. In last year's The Hobbit: An Unexpected Journey, there was a lot of preparatory business to get out of the way, as the hobbit, Bilbo Baggins (Martin Freeman), was recruited by the wizard, Gandalf (Ian McKellan), to join 13 dwarfs on a quest to reinstate their leader, Thorin Oakenshield (Richard Armitage). The ending was effective enough to leave the audience at an advance screening shouting a collective "Aww!" of disappointment as the credits began to roll. ![]() With the introductions and bag-packing out of the way from the first film, the new movie jumps straight into the action and doesn't relent until the cliffhanger ending almost three hours later. The second film in the trilogy of movies based on the 1937 fantasy novel, The Hobbit, is a big improvement from last year's first entry, The Hobbit: An Unexpected Journey. ![]() Glad tidings, followers of the Peter Jackson film adaptations of J.R.R. ![]()
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